"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor. Product...(展开全部)

From a Pulitzer Prize-winning playwright comes invaluable insights and practical instructions on the art of film directing. Mamet looks at every aspect of directing--from script to cutting room--and draws from a wide variety of sources to make his points.

From a Pulitzer Prize-winning playwright comes invaluable insights and practical instructions on the art of film directing. Mamet looks at every aspect of directing--from script to cutting room--and draws from a wide variety of sources to make his points.

A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and inf...(展开全部)

A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and inf...(展开全部)

埃里克·舍曼,出生于洛杉矶，成长在好莱坞的制片厂里，现任教于加利福尼亚艺术学院，曾在几家主要的好莱坞电影公司担任制片主管，与一些好莱坞顶尖级的编剧、制片和导演一起工作，成功地保证了许多电影在预算的资金和时间之内出品。从1976年开始，除了与一些工作室合作之外，埃里克还拥有和经营着一个电影公司Film Transform，全面涵盖了电影和视频制作的业务。他的著作包括四本广泛使用的教科书：《导演电影》（Directing the Film）、The Director's Event、Frame By Frame和Selling Your Film。

S.N.艾森斯塔特(S.N. Eisenstadt，1923—2010)，享誉世界的以色列社会学家，新功能主义和现代化理论的重要代表人物，先后任教于芝加哥大学、哈佛大学、密歇根大学、苏黎世大学、希伯来大学。1988年获巴仁奖，1994年获马克斯·普朗克社会科学奖，2006年获霍尔贝格奖。艾森斯塔特曾言简意赅地总结一生致力于学术研究的理念：“我试图了解伟大文明的历史……试图了解这些文明的主要动态以及它们如何成为现代社会，这些文明如何现代化以及如何发展出不同文化的现代性模式。”主要著作有《帝国的政治体制》《现代化：社会的分析和分层》《政治社会学》《社会的分析和分层》《传统·变迁·现代性》《日本文明：一个比较的视角》《革命与社会转变：文明的比较研究》等。

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)